How to Make a lil tony Type Beat That Actually Sounds Expensive
Video: [FREE] lil tony + fullychop type beat - "really rich"
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ยท based on the channel prod julioo!
Key takeaways
- lil tony type beats sit around 150โ165 BPM; the reference track "really rich" by prod julioo! runs at 158 BPM.
- The core is a dark, minor-key sample loop, often pitched and chopped, sitting under heavy 808 slides.
- Free-for-profit use is allowed on YouTube and SoundCloud with "prod. julioo!" in the title; Spotify and Apple Music require a lease.
- The free download and lease for "really rich" are available at https://bsta.rs/qiWLVq.
- Atlanta drill and sample-based production are the two biggest stylistic anchors of the subgenre.
A lil tony type beat is a dark, sample-driven trap instrumental built around a minor-key loop, hard-hitting 808 slides, and a tempo usually between 150 and 165 BPM โ the reference track "really rich" by prod julioo! sits at exactly 158 BPM. You can grab that beat free for profit via the download page, which gives you the stems and the right to release it on YouTube and SoundCloud as long as you credit the producer. The rest of this guide breaks down how to build one from scratch, from picking the sample to mixing the low end so it hits like the records lil tony and fullychop actually rap on.
What defines the lil tony type beat sound
The lil tony type beat sound is Atlanta drill filtered through sample-based production: dark, melodic, and slightly off-kilter. Instead of clean synth melodies, producers in this lane dig for soul, gospel, or obscure vocal loops, pitch them down, and chop them into a hypnotic 4- or 8-bar pattern. The drums are sparse but punchy โ a hard kick on the downbeats, snares or claps on the 3, and rolling hi-hats that fill the gaps. The 808 is the emotional center: it slides between notes, often carrying the bassline as a melody rather than just a root note. Artists like lil tony, fullychop, and the broader 2sdxrt3all and raqbaby circle favor beats that feel like a loop you could freestyle over for ten minutes straight. That's why the loops are simple, repetitive, and slightly eerie. If your beat sounds too busy, it's not in this lane.
Step-by-step: building the beat at 158 BPM
Start your DAW at 158 BPM and set the grid to 1/16 notes. This tempo sits in the sweet spot where the beat feels urgent but not frantic โ fast enough for double-time flows, slow enough for the 808s to breathe.
- Pick and process the sample. Find a soul or gospel loop with a clear vocal phrase or chord progression. Pitch it down 2โ5 semitones, add a low-pass filter around 8โ10 kHz, and chop it into a 2-bar or 4-bar loop. Add subtle saturation and reverb to glue it together.
- Program the drums. Place the kick on beat 1 and the "and" of 3. Put the snare or clap on beat 3. Write hi-hats in a rolling pattern with occasional 1/32 bursts. Keep the drum bus compressed lightly so it pumps without squashing.
- Design the 808. Tune your 808 to the root of the sample. Write a pattern that follows the sample's melody but leaves space โ slides should land on the same notes as the vocal chops. Use a long glide (portamento) and sidechain the 808 to the kick so both hit clean.
- Add texture and ear candy. A reversed crash before the drop, a vinyl crackle layer, or a distant choir hit can make the loop feel three-dimensional. Keep these elements low in the mix.
- Arrange for a rapper. Most lil tony type beats are 2โ3 minutes with an 8-bar intro, 16-bar verse, 8-bar hook, another 16-bar verse, and an outro. Leave the first 4 bars mostly empty so an artist can come in immediately.
Mixing for that "expensive" Atlanta drill feel
Mixing a lil tony type beat is mostly about contrast: dark, filtered sample versus clean, loud drums. Start by high-passing the sample at 100โ150 Hz so the 808 owns the sub-bass. Then bus the drums together and apply gentle glue compression (2:1 ratio, slow attack, fast release). The 808 should peak around -6 dBFS, the kick around -8 dBFS, and the sample around -12 dBFS. Use a soft clipper on the master instead of a limiter to keep transients punchy. If the beat sounds muddy, it's usually too much reverb on the sample or overlapping 808 notes โ cut the reverb above 4 kHz and shorten the 808 release. Producers like prod julioo! often leave a bit of noise and imperfection in the loop; that grit is part of the Atlanta drill aesthetic.
Free for profit rules and when you need a lease
Using a type beat "free for profit" means you can release a song on platforms that allow producer credits in the title, such as YouTube and SoundCloud, and keep the revenue โ as long as you write "prod. julioo!" in the title. For "really rich," that permission is granted directly in the video description. However, if you want to distribute to Spotify, Apple Music, Tidal, or any platform that doesn't display producer credits in the track title, you need to purchase a lease. The lease gives you distribution rights, a higher streaming cap, and often untagged WAV files. Always read the producer's terms: some free-for-profit licenses cap streams at 100,000 or 1,000,000, and some require you to keep the beat untagged. When in doubt, buy the lease โ it's cheaper than a takedown.
Common questions from producers and artists
A lot of viewers ask whether a beat this simple can really stand out. The answer is yes โ the space is the point. If you leave room for the artist's ad-libs and vocal texture, a two-bar loop can carry a whole song. Another frequent concern is whether the 808 is too loud or too quiet; reference your mix against a released lil tony track on the same speakers. Producers also wonder if they need expensive sample packs. You don't โ free soul and gospel loops from YouTube or Splice's free tier can work if you process them well. Finally, artists often ask if they can freestyle over a type beat without writing a hook. Absolutely: many Atlanta drill songs start as freestyles, and the hook can come later. The key is to match the energy of the beat, not to overthink the structure.
Useful links
- Free download and lease for "really rich": https://bsta.rs/qiWLVq
- Join prod julioo!'s Discord: https://discord.gg/hZbGKzrRGy
- Contact and more beats on Instagram: https://www.instagram.com/prodjulioo
Final thoughts
Making a lil tony type beat is less about copying a formula and more about capturing a mood: dark, melodic, and heavy enough to make a rapper want to jump on immediately. Start with a pitched-down sample, lock in a 158 BPM groove, and let the 808 carry the melody. Keep your mix clean and your arrangement open. When you're ready to release, respect the license โ free for profit on YouTube and SoundCloud with credit, lease for streaming platforms. This breakdown was inspired by the "really rich" beat from prod julioo!, whose catalog is a solid reference point for anyone studying the Atlanta drill and sample-based trap lane. Grab the free download at https://bsta.rs/qiWLVq and start building your own version today.
Questions & answers
Can I really use a lil tony type beat for free on YouTube?
Yes, if the producer marks it as free for profit. For "really rich," you can upload to YouTube and SoundCloud with "prod. julioo!" in the title and keep your revenue. You cannot distribute to Spotify or Apple Music without buying a lease.
What BPM should a lil tony type beat be?
Most tracks in this lane sit between 150 and 165 BPM. The reference beat "really rich" is 158 BPM, which gives you enough speed for double-time flows while keeping the 808 slides audible.
Do I need expensive samples to make an Atlanta drill type beat?
No. Free soul and gospel loops from YouTube or free sample packs work fine if you pitch them down, filter them, and chop them creatively. The processing matters more than the source.
How do I know if my 808 is mixed correctly?
A/B your track against a released lil tony or fullychop song on the same speakers. Your 808 should be audible on phone speakers without distorting, and it should not mask the kick. If it sounds muddy, shorten the 808 release and high-pass the sample.
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